Le Pétrole en gros ne Peignant pas de Minimum
 
 


unknow artist Saint Onufri oil painting reproduction


unknow artist
Saint Onufri
ID de tableau::  63952
 1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious

 
 
   
      
unknow artist

Saint Onufri
1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious

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